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    <loc>https://www.aaroneliahterry.com/previous-work-1</loc>
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    <lastmod>2019-05-07</lastmod>
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      <image:title>Previous Work</image:title>
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    <image:image>
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      <image:title>Previous Work</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5387812be4b024b91f1f0377/1407947861012-WM57M00O1U13Q7JVBBRZ/7_Aaron_Terry_EG_Install_CloseUp.jpg</image:loc>
      <image:title>Previous Work</image:title>
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      <image:title>Previous Work</image:title>
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  <url>
    <loc>https://www.aaroneliahterry.com/new-index</loc>
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    <priority>1.0</priority>
    <lastmod>2026-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5387812be4b024b91f1f0377/1510159884558-T5A4BBAFLIFGNXO7TSMV/phonic.jpg</image:loc>
      <image:title>Recent Work</image:title>
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    <image:image>
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      <image:title>Recent Work - "Patterns for Saturn": Mezzanine Gallery, Wilmington, DE.</image:title>
      <image:caption>This body of work began as a response to the space in which it would be shown: the Mezzanine Gallery, located in the Carvel State Office Building in Wilmington. It is a drab, municipal, State Building and visitors must pass through metal detectors. Art work can’t be hung on the wall except by use of clips. In response to visiting the site, I decided to create a body of work that would attempt to respond to the drabness and hide the space as well as take viewers out of the surrounding municipal feel of the space. Long, screen printed fabrics hang from the walls with patterns suggestive of Op-Art and the Dazzle patterns used in WWI to visually camouflage ships on the horizon from enemy boats in the area. The patterns were all created using luminance (greyscales) and bitmapped images that were further manipulated to create abstract patterns. The patterns are meant to not only distract and prompt eye movement, but to visually stimulate people, not unlike our addiction to social media (but without scrolling). It is a response in part to our overstimulated lives of 24 hour news media, war and partisan politics, used in the hopes of distracting in a meditative sense. The reference to Saturn plays out in a few ways. I was a young adult when the Cold War “ended” and the fall of the Berlin Wall, paired with the rise of the internet signaled a time of great potential, which in my lifetime and perspective has not come to bear fruit. Instead of a global wave of democracy and shared information, we have experienced a malignant, corporate, globalization. The myth of Saturn presents a figure dating back to pre-mass governance (as we know it today), that was more societally agricultural and thus connected to the earth. Saturn represents structure and wisdom, hope, desire and chance, creation and destruction: the possibility of humans to function in anarchy or as a structured collective (government). Saturn represents to the possibility of change and so these images also reflect a an attempt to offer a contemplative space (even within an old, municipal, governmental building) to think on hope, possibilities and change even within the system.</image:caption>
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      <image:title>Recent Work - American Headstand</image:title>
      <image:caption>The profile of Thomas Jefferson lies on its side on a wobbly pedestal. The contents of Jeffersonian thought spilling over. It references money (capitalism), the Civil Rights act of 1964 (still seemingly unachieved in today’s ever widening socio-economic gaps and police killings), it implies the dark history of a “Founding Father” held to such high regards, despite owning slaves and finally, an image of Harriet Tubman (taken from the still planned, but unprinted $20 bill, that would replace another slave owning persona on the bill). It isn’t obvious, but it begs reflection upon our history and future and what we do with our democracy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5387812be4b024b91f1f0377/1545014872909-XHDOMB3TJXI07WHA0SMY/Screen+Shot+2018-12-16+at+9.38.59+PM.png</image:loc>
      <image:title>Recent Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5387812be4b024b91f1f0377/1712323962496-M5TYHM5HZ4OKHN801GRV/Lucas_4web.jpg</image:loc>
      <image:title>Recent Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5387812be4b024b91f1f0377/1744594689189-MGB07DQ2NS4TZL780009/TermsCond+Full.jpg</image:loc>
      <image:title>Recent Work</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5387812be4b024b91f1f0377/1774536290040-WUPJWA1DXI246ZLZZF8A/Aaron_Terry_2.jpg</image:loc>
      <image:title>Recent Work</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5387812be4b024b91f1f0377/1407271780625-GI5J8Z7ZYI150L2H2P72/A+FOREST+MIXXX+PRINT201406255588.jpg</image:loc>
      <image:title>Recent Work - A Forest Mixxx</image:title>
      <image:caption>Screen Print and mix. Edition of 20.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5387812be4b024b91f1f0377/0abc57fd-5d14-479a-b245-37b2fed7cfb3/No+Todo+Lo+Que+Brilla+Es+Oro20220927_0143.jpg</image:loc>
      <image:title>Recent Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5387812be4b024b91f1f0377/99d87951-03e7-4e07-852a-b1dac51ef10c/Lucas_4web.jpg</image:loc>
      <image:title>Recent Work - La XII Bienal Internacional de Artes Valparaiso</image:title>
      <image:caption>“Mil Dilirios”: Seguir y participar en una economía alternativa. Si has aterrizado aquí, quizás tengas curiosidad por participar en este proyecto. 22 hasta el 24 de Abril, 2024 Taller Grabado Independiente de Valpo</image:caption>
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      <image:title>Recent Work - Obras Alternativas</image:title>
      <image:caption>Monedas de madera, billetes que desaparecen y pasaportes que imaginan una serie alternativa de fronteras.</image:caption>
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      <image:title>Recent Work - Make it stand out</image:title>
      <image:caption>Participantes en el taller de los Pasaportes. 2024.</image:caption>
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    <loc>https://www.aaroneliahterry.com/previous-work</loc>
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    <lastmod>2019-05-07</lastmod>
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  <url>
    <loc>https://www.aaroneliahterry.com/public-works</loc>
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    <priority>0.75</priority>
    <lastmod>2024-04-04</lastmod>
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      <image:title>Public Works</image:title>
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    <image:image>
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      <image:title>Public Works - No Cost Newtopia</image:title>
      <image:caption>According to studies, the introduction of trees in urban areas often raises property values and the potential for gentrification. Historically, “low-income” neighborhoods lack trees and plant life. (through systemically, racist “redlining” planning of cities). How can we contribute to the reintroduction of native plants in our cities without inadvertently contributing to gentrification? These seeds are native, herbaceous varieties, contributing to the reintroduction of plants on a smaller scale: positively impacting local bee and bird populations. They are meant to be planted/sewn in the fall. They are perennial, meaning they will continue to reproduce after their initial planting. They are also a selection of hearty herbaceous plants that do not require rich soil or regular watering. You can distribute them and let them work on their own. In addition to the birds and the bees, the presence of plants (on a significant, but smaller scale than trees) are found to decrease stress and anxiety in the people that live in their presence.</image:caption>
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      <image:title>Public Works</image:title>
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    <lastmod>2025-05-12</lastmod>
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      <image:title>Weite</image:title>
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      <image:title>Weite</image:title>
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      <image:title>Weite</image:title>
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    <loc>https://www.aaroneliahterry.com/dunst-avenue</loc>
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    <lastmod>2025-05-12</lastmod>
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      <image:title>Dunst</image:title>
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      <image:title>Dunst</image:title>
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      <image:title>Dunst</image:title>
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    <lastmod>2025-05-12</lastmod>
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    <lastmod>2025-05-12</lastmod>
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      <image:title>Weg</image:title>
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    <loc>https://www.aaroneliahterry.com/stein-avenue</loc>
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    <loc>https://www.aaroneliahterry.com/vergnugungspark-avenue</loc>
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    <lastmod>2025-05-12</lastmod>
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    <lastmod>2025-05-12</lastmod>
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    <lastmod>2025-05-12</lastmod>
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    <lastmod>2023-05-22</lastmod>
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    <loc>https://www.aaroneliahterry.com/toyota-tacoma</loc>
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    <lastmod>2025-10-02</lastmod>
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    <loc>https://www.aaroneliahterry.com/contact</loc>
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    <lastmod>2014-08-06</lastmod>
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    <lastmod>2018-08-06</lastmod>
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      <image:title>Bio</image:title>
      <image:caption>Aaron Terry grew up as a kid with no electricity or running water in the woods of Upstate New York until fate brought his family to Philadelphia, where he grew into the city as a young adult. His biggest fear as a child was nuclear war or a bear attack. Terry’s work has been shown in Argentina, Chile, Moscow, Berlin, Philadelphia, Portland, Oregon and the San Francisco Bay Area. Terry has lived most of his life in the San Francisco Bay Area, but recently returned to Philadelphia. He works in traditional and non-traditional printmaking, sculpture and sound pieces. Terry is a DJ and musician in the band Gold Wood and he organizes art and music related events throughout Latin America aimed at fostering a more creative dialogue between artists and musicians (and the people that enjoy visual and sonic arts). Terry holds an MFA from the San Francisco Art Institute. He is an Assistant Professor of Art and Design at the University of Delaware.  </image:caption>
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      <image:title>CV</image:title>
    </image:image>
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